Genestreams Sculptures & Augmented Reality Models
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Genestreams Sculptures are giant phylogenetic trees which make visible the shared ancestry of local species. Acting as a learn space they may be Augmented Reality experiences or physical sculptures. Our initiative offers a possibility of presenting in Genestreams Sculptures, community conservation projects, educational projects, scientific field naturalist art projects and projects promoting local Aboriginal artists work. The initiative focuses on community resilience and bringing local people together in order to address the serious challenges of habitat loss and climate change. The artworks and accompanying films are aimed at promoting conservation awareness, action and sharing connections to country. Through the participation of every shire in Australia our vision is to establish a national tourism trail of Genestreams Sculptures, facilitating new possibilities for community engagement in conservation, education and the arts.
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Genestreams Augmented Reality Models seek to teach people through interactive experiences about local conservation efforts, the ecology, geology and deep time history of natural environments. We welcome participation from all community members who have an interest in conservation.
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With the objective of broadening a Genestreams Augmented Reality Model into a project which offers both scientific and cultural perspectives on caring for country we invite participation from Aboriginal artists of the region. We have undertaken 3 projects thus far in this manner and have transformed two of them into physical sculptures.
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Genestreams Augmented Reality Models have their origins in virtual reality teaching tools developed to teach students, through Tree of Life visualizations about the shared ancestry of species that live within the same ecosystem. Our objective is to undertake field naturalist art projects on the present status and deep time history of unique ecosystems and their species which results in the creation of Augmented Reality Genestreams Models. We encourage broad community participation and provide a free online resource bank through our Art of Nature school to people who live in the Shires, or are part of the organizations that we undertake our projects with. We then, through consultation make the invitation to Aboriginal artists of the region to have digital images of their art also featured in the project where they can share their perspectives. If Aboriginal artists choose to participate in the project in recognition of the sharing of culture we expand the name and seek to build a physical Genestreams Sculpture as part of a tourism trail envisaged by Noongar elder Aunty Carol Pettersen OAM JP who has worked extensively with Gondwana Link.
- The inside of the sculpture is a phylogenetic tree of selected regional species, which connects to an artwork on the ecology, geology and deep time history of the region.
- The outside of the sculpture features the work of Aboriginal artists of the region which shares their perspectives.
These films provide an overview of our project
The 4 key steps in this project
The first stage of this project is the field work research and then development of a Genestreams artwork on the conservation efforts, the ecology, geology and deep time history of the region. Our focus is to promote the protection of the natural systems which in turn protect the endangered species. We offer an Art of Nature resource kit that is free to local people of the region through the duration of this stage of the project which teaches nature journaling, scientific illustration skills, means of starting a local herbarium and field naturalist techniques. Local artists of all ethnic backgrounds may participate to the Genestreams artwork.
In the next stage the artwork is placed within a virtual sculpture which presents the story of the shared ancestry of 15 local species plus the humans. The outcome is a Genestreams virtual model that shares knowledge on the ecosystems, threatened species, deep time shared ancestry of species and the geological deep time history of a region.
In the next stage, on the completion of the Genestreams virtual model project we invite local aboriginal artists to exhibit their work on the virtual sculpture’s 15 external frames and for traditional owners to share their perspectives on caring for country. We believe in acting to achieve a more reconciled and respectful future. Ecological and cultural stories are intertwined and can both have a voice through the sculptures. If local Aboriginal artists choose to participate in the project in acknowledgement of the sharing of cultural perspectives we then extend the virtual model name to a Genestreams Songlines Sculpture which may be viewed in Augmented Reality and interacted with on a phone in the local park.
In the final step we seek to create a physical sculpture. As seen below we have successfully worked with several communities in the development of Genestreams Songlines Sculpture projects which promote an awareness of local conservation projects and culture.
https://www.youtube.com/embed/2pb0epOl28w?feature=oembedAugmented Reality Example
Proposal: There are 4 consecutive projects that we are offering to engage with in your community. Each step is a project in itself and is not reliant on the further steps to be an effective tool in promoting the region. Please read the summary of the four projects below to understand what we are offering to your community.
Step 1 – The SciArt Project: The first project shares the stories of conservation and science in the region through contemporary interactive field naturalist art. As seen on many previous projects on this website the field naturalist artwork would document the ecological connectivity, geology and deep time history of the region. The project will select 15 regional species to scientifically illustrate. Focus is given to threatened species, endemic species and species of cultural significance. When completed the art and research would be presented on the SciArt website. The art created from this project is used in step 2.
Step 2 – The Genestreams Project: The second step of development pioneered at the Australian National University focuses on researching the deep time shared ancestry of the selected 15 species from step 1 plus the humans. This research results in the generation of a 3d digital model of an evolutionary tree which can be presented as an Augmented Reality Genestreams Model experience. The art from step 1 is placed on the internal frames of the model. The external frames are left empty for step 3.
Step 3 – The Songlines Project: This project has been pioneered through consultation with Noongar Elder Aunty Carol Pettersen. Step 3 is an opportunity for Aboriginal artists of the region to have digital images of their artwork exhibited on the external frames of the 3d digital model that was created in step 2. The outcome will be an Augmented Reality Genestreams Songlines Sculpture and, a digital image that we call a Genestreams Songlines Mural which features all participating artists work. The artists keep their original artworks.
Step 4 – The Genestreams Songlines Sculpture Installation Project: In step 4 the Augmented Reality Genestreams Songlines Sculpture of step 3 could be developed into a physical 3 meter high Genestreams Songlines Sculpture for the community. This step was pioneered through the support of Gondwana Link. When the 4 steps are combined the completed project aims to connect public art with online learning and teaching through conservation science and culture, driving innovation, increasing tourism and diversifying the economy.
Perspectives on the Genestreams Songlines Sculptures from the projects founders Aunty Carol Pettersen & Ben Beeton
Aunty Carol Pettersen OAM JP: “The purpose of our Genestreams Songlines Sculptures is to create learn-scape environments focused on growing and caring for a green and connected future. Featuring Aboriginal and field naturalist artworks we aim to participate in the growing conservation initiative referred to as two-way science. Our vision is that a combination of actual and Augmented Reality sculptures will form a National tourism trail which will increase an awareness of the spiritual relevance of the Songlines, ecological restoration, cultural restoration, and, how through deep time all species are connected. In a map of our Aboriginal Songlines of the Southwest by Dr Noel Nannup the red lines are our traditional walk trails. For thousands of years, our First Nations Peoples have foot printed all across this continent through our Songlines, to guide our celestial and land-based journeys. These song maps connect land features to guide our passage across country maintaining clan identities and connections to place and purpose including trading routes and communication for cultural connections, both inter-regionally and nationally. A Song-Line may be viewed as a means of navigating through and surviving within the Genestreams. We achieved this by connecting with other species through our totemic system. The present cultural and ecological situation is fragmentation, through the monetization of ecological destruction. The proven solution is cultural and ecological restoration by growing connectivity through community and personal participation which leads to ownership. We increase connectivity awareness that inspires action through online and on-country visual literacy tools which help build our preferred future to leave as a legacy for our children”.
Ben Beeton: “As we are all custodians of the living end of the Tree of Life, our role is to keep the Genestreams of country flowing through time by engaging in land care restoration at scale to reconnect the natural systems which protect our endangered species. The sculptures are based on an interactive phylogenetic tree, that I designed at ANU. By visualising where in the geological time scale species within the same ecosystem shared common ancestry and then by recounting the recent story of each species and planning out recovery programs for natural systems into the future the objective of the project was to assist communities to comprehend and bring natural systems back into balance. In partnership with Gondwanalink and GeoParks and with support from Bush Heritage we work with communities, conservation organizations and ecotourism across Australia to create networks of Genestreams Songlines Sculptures. The Augmented Reality Genestreams Songlines Sculpture may be displayed in multiple locations across the planet to promote ecology and culture. A Genestream is a story of heredity flowing through space-time within the Tree of Life, a Genestream is the sum total of a species ancestral gene pools. From a source of shared ancestry every species has its own unique Genestream story. Nature is the sum total of its Genestreams. When a species’ Genestream stops flowing that species becomes extinct. Genestreams Songlines Sculpture offers a new way for people to adopt totem species and engage in caring for country”.
Genestreams Songlines Sculptures 4 Steps in Development
Step 1 – The SciArt Project
Step 1 – This is a SciArt project focusing on broadening an awareness of the ecology, geology and deep time history of the region through a contemporary field naturalist artwork which is displayed on a SciArt webpage with accompanying film clips and other resource material that inspired the artwork. This project has a strong conservation message. It is presented as a visual literacy resource tool about the region as may be seen in other listed SciArt projects on this website and the SciArt for schools initiative.
The first step project explores and document the ecology, geology and conservation actions that are taking place in the region. Through consultation we will select 16 species (including humans) that are important to the region and illustrate them with particular focus on threatened species, endemic species and species of cultural significance. We will then create an artwork about the ecology, geology and deep time history of the region which is designed to be displayed both as a feature artwork on a SciArt visual literacy webpage and as the internal artwork within a potential Genestreams Songlines Sculpture for the region. To undertake this first stage of the project Ben Beeton (SciArtist) and Mali Moir (Scientific Illustrator) will seek to visit the region and stay for a time to familiarize ourselves with the conservation work taking place and document and illustrate it. Once this foundational documentation and illustration work is complete we will create a SciArt visual literacy webpage for the project to share the stories of conservation in the region and feature the field naturalist artwork that the experience has inspired. To promote the region the webpage will be listed on sciart.com.au/projects/.
About Ben Beeton – “During the past 15 years I have completed over 35 artist residency projects in partnership with conservation and eco-tourism organizations focusing on the ecology, geology and deep time history of natural systems. I have spent many years developing the Genestreams toolkit for modeling the Tree of Life in new and innovative ways that we now use for our Genestreams Songlines Sculpture public art initiative. I worked at the Australian National University in the development of Genestreams virtual reality teaching tools. I hold adjunct positions at the Australian National University and the University of Western Australia”.
About Mali Moir – “For the past 25 years I taught students in botanical and scientific art thru the Royal Botanic Gardens Melbourne, I illustrated for the National Herbarium of Victoria and I was a museum expedition artist. I lead a 10 year group art project into arid Australia. I hold an adjunct position at the University of Western Australia”.
The examples below are from recent projects.
Twin Creeks Genestreams Artwork detail
Step 2 – The Genestreams Project
In step 2 we work with our collaborator Gary Muir of WOW Wilderness Tours to research the shared ancestry of the selected species. The information is presented as a ‘phylogenetic tree’ depicted on the base plate of the Genestreams Songlines Sculpture through a diagram of the geological time scale indicating the connections and common ancestry of 16 selected regional species (including the humans).
Step 3 – The Songlines Project
Step 3 – This project invites participation from local Aboriginal artists with connections to the region to share their perspectives on connecting to country through their art. The artists keep their original artworks. The project seeks a digital image of the contributing artists work to place on the external frames of the 3d digital model generated in step 2. Through this process the Genestreams Sculpture of step 2 becomes a Genestreams Songlines Sculpture which may be displayed in Augmented Reality. This will become part of the growing nation wide tourism trail of the Genestreams Songlines Sculptures.
The examples below are of contributing Aboriginal artists work from recent Genestreams Songlines Sculptures projects.
With the consent of all contributing artists all the artworks may be arranged for webpage display as one mural artwork with the option of printing the work for public display. At Mount Magnet the Mount Magnet Genestreams Songlines Mural is on permanent display in the visitors center.
Mount Magnet’s Genestreams Songlines Mural on display at the Mount Magnet visitors center
Step 4 – The Genestreams Songlines Sculpture Installation Project
Step 4 – This project focuses on the installation of a real physical Genestreams Songlines Sculpture installed in a chosen location by the community. This will become part of the growing nation wide tourism trail of Genestreams Songlines Sculptures.
“This project has the potential to promote local talents, educate about ecology, understanding of First Nations Peoples connection with land and country along with providing a common community communication stream. It also brings out the strengths in the community, it unites a community, it is a social asset and it is tourist attraction. It influences a shift in paradigms on all levels. It certainly provides a medium for Reconciliation as defined by the Federal Reconciliation policy”. Carol Pettersen
Project Background & Vision
The Genestreams Songlines Sculptures originates in the 1990s when Nyoongar Man, Dr Noel Nannup, began creating a map of the ‘Traditional Aboriginal Songlines of Australia’. Songlines describe the features and directions of travel, which were included in a song and had to be memorized and sung for the traveler to know the route to their destination.
More recently, various collaborators have worked to ‘layer’ the Songlines of a particular community with deep understanding of evolutionary processes, localized geology, biodiversity and natural history. A specific program by Artist Ben Beeton extended over 15 years, involved a number of Artist Residencies, and public art projects referred to as SciArt (www.sciart.com.au). Through this process Ben Beeton developed the notion of Genestreams. A Genestream is described as the sum total of a species gene pool, linking species through space and time. When a genestream stops flowing it means the species is extinct. If it continues to flow it will eventually become a new species. The sum total of all Genestreams is referred to as ‘The Tree of Life’.
Through the initiative of Aunty Carol Pettersen and Ben Beeton the essence of this approach has been brought together in public art sculptures, called Genestreams Songlines Sculptures. The first sculpture was part-funded by the Regional Economic Development Fund. It was created for the Twin Creeks Community Conservation Reserve (near the ancient Porongurup Range) in partnership with Friends of the Porongurups and Gondwana Link.
A collaboration has formed to develop further sculptures – involving Noongar leaders Aunty Carol Pettersen and Dr. Noel Nannup. Aunty Carol Pettersen’s vision is for Genestreams Songlines Sculptures to function as a trail that promotes songlines, local conservation efforts, create community cohesion and celebrate the regions natural assets. Neighboring communities would work together to create networks of Genestreams Songlines Sculptures that celebrate their indigenous culture and the similarities and differences in their ecology and geology.
Through a combination of physical and Augmented Reality Genestreams Songlines Sculptures our vision is that the interconnected Genestreams Songlines Sculptures tourism trails will spread from the great south west across the whole of Australia, sharing the stories of connectivity between conservation, culture and science with the world. The sculptures have the potential to incentivize local rock gardens, native botanic gardens, herbaria and florilegia, with ongoing community engagement programs to celebrate local flora, cultural connections and the Genestreams.
The accompanying website with its Augmented Reality capacity will provide local artists, conservationists, elders and scientists with a platform to be heard, sharing knowledge and stories of local culture and environment. Genestreams Songlines Sculptures will be connected to online learning and teaching tools focusing on broadening an awareness of ecological and cultural restoration. The Augmented Reality Genestreams Songlines Sculpture may be displayed in multiple locations across the planet to promote the ecology and culture of the region.
A longer term goal is that each contributing project will become part of an online exhibition viewable in virtual reality promoting the unique cultural, ecological and geological stories of each contributing region.
Genestreams Songlines Sculpture initiative in action
Bunya Mountains Genestreams Songlines Sculpture
In partnership with the Bunya Peoples Aboriginal Corporation the Genestreams Songlines Sculptures team is proud to present the Bunya Mountains Genestreams Songlines Sculpture.
About the Genestreams Songlines Sculptures initiative: In partnership with traditional owners, local communities and Gondwanalink the Genestreams Songlines Sculptures initiative is a nationwide project between Indigenous and non-Indigenous artists, community organizations and conservation groups. The vision of founding elder to the project Aunty Carol Pettersen OAM JP is that the sculptures will form a national tourism trail which will increase an awareness of the importance of the song lines, ecological restoration, cultural restoration, threatened species, and how, through deep time all species are connected. Special thank you to Paul Dawson, Jason Lawler, Darrell Campbell and the Bunya Peoples Aboriginal Corporation. https://sciart.com.au/genestreams-songlines-sculpture-development-process/
Overview: Bonye Biar (Bunya Mountains) is one of the most significant gathering places in Australia, where lore and culture was developed and maintained by Aboriginal peoples from across Southern Queensland and Northern New South Wales. Since time immemorial Bonye Biar has been under Aboriginal management and leadership. Bonye Biar is therefore as much a cultural landscape as it is a natural landscape. The Bonye Biar Bush University proposal seeks to create an ‘In-Country’ learning place, where Aboriginal knowledge and lore can be revived and appropriately shared with all people who visit the region. The ‘Bush University’ concept has been initiated by Noongar people in WA with the Nowanup Bush University (https://news.curtin.edu.au/mediareleases/innovative-bush-learning-space-reaches-important-milestone/) which has been a huge success. The ‘In-Country’ learning place will be designed and developed in a way that works with the landscape and environment to tell the cultural stories and natural history of the landscape in a creative way that facilitates engagement with community and place. The project will also build upon previous and current investment and value add to the work being undertaken by key partners.
Objectives
o Unique and iconic Cultural educational tourism development for the Western Downs and Toowoomba regions.
o Learning spaces within the landscape that facilitate this tourism economy.
o Value for money, culturally and environmentally sensitive development.
o Strengthening of partnerships and community collaborations.
o Revitalization of cultural knowledge and practice throughout the region.
o Build on existing projects (ie Fishers Lookout development and BPAC Ranger programs) and value adding to previous and current investment.
Channel 7 report – https://fb.watch/cEAWVDzog7/
Bunya Mountains Genestreams Artworks
Bunya Mountains Genestreams Artwork Contributors
- Ben Beeton – Sculpture design, Concept development, Genestreams Art Composition, Research, Illustration, Phylogenetic Tree Base Plate design
- Mali Moir – Scientific Illustration, Research
- Steve Parish – Wildlife Photography
- Gary Muir – Phylogenetic Tree Base Plate research and design
- Margarita Menares – Illustration
- Sharon O’Phee – Eco Dying
- Jenny Wilson – Eco Dying
- Jeremy Beeton – Canopy Photography
- Natasha Wills – Leaf foliage arrangement & canopy photography
- Frank Lee Frivolous – Leaf foliage arrangement & canopy photography
- Ben Price – Scientific research and conceptual development
- Peter McQueen – Scientific research and conceptual development
Bunya Mountains Songlines Artworks
Songlines Artwork Contributing Artists
- Adrian Bauwens
- Jacinda Ibrahim
- Nikita Law
- Stephanie Lingwoodock
- Tolita Dolzan
Phylogenetic Tree Base Plate
Twin Creeks Genestreams Songlines Sculpture
Example 1: The first Genestreams Songlines Sculpture was installed at Twin Creeks in south-western Australia. Twin Creeks Conservation Reserve is one of the few remaining protected bush properties in this agricultural region and is part of the Oyster Harbour Catchment Group/ Ranges Link Project. The Reserve is a mixture of remnant bush, revegetation and regrowth. https://sciart.com.au/twin-creeks-genestreams-sculptures/
Mount Magnet Genestreams Songlines Sculpture AR
Example 2: The Shire of Mount Magnet engaged Ben Beeton and Mali Moir to undertake an Artists in Residence project to design and develop a Genestream Songlines Mural in collaboration with twelve local indigenous artists and three local non indigenous artists for the 2021 Astro Rocks Fest. This included consultation with elders and scientists, including from Geological Survey of Western Australia, to develop a broad understanding of the regions ecology, geology and deep time history which is shared on the SciArt webpage and films. The project was presented by Aunty Carol Pettersen and Ben Beeton at Astro Rocks Fest 2021. At this time we partnered with GeoParks WA to connect the public to a deeper awareness of the incredible geological history of the continent. The artwork, research and films from the residency is featured on – https://sciart.com.au/mount-magnet-astro-rocks-fest-artist-residency/
Mount Magnet Tree of Life – Genestreams Songlines Sculpture
Support Films
Site by Ben Beeton